Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them (P.S.)

"For any writer, the ability to look at a sentence and see what's superflous, what can be altered, revised, expanded or especially cut is essential."

Good books help your writing. This book is stuffed full of terrific snippets from great books, Francine Prose teaches an entire course on writing well in the pages of "Reading Like a Writer." She explains what you need to attempt for good writing and then gives extensive examples. And sprinkled throughout the book you come to know Francine Prose as well.

Even for the shear enjoyment of a well written book, this one ranks top notch.

The concept is great. The product did not meet the promise. The presentation style was just too artsy-fartsy, like a bunch of undergraduate girls from the Seven Sisters, sitting around saying "Look how smart I am."

I couldn't finish the thing. It would be a great book to sleep to.

I'm looking to improve my writing and I came across this book and decided to give it a listen. I was surprised at how helpful and fun it was. The text was very engaging, and you can tell the author put a lot of time into making this book not only informative but also enjoyable. I now look for specific elements when I read and have discovered the things I want to improve in my own writing.

Author Francine Prose's latest non-fiction book Reading Like a Writer, a Guide for People who Love Books and for Those who Want to Write Them, brings to the study to literature exactly what the study of literature needs: literature. She reads a text for what it offers as a unique assemblage of words into sentences into paragraphs into chapters into volumes. The author of a great work of literature creates carefully, deliberate placing each word for meaning and effect.

To study literature this way, one needs time. Time to read slowly, to savor the words, to appreciate the gift of literature. One might also need a dictionary. And of course Strunk and White's Elements of Style--a textbook developed early in the last century to set out in the clearest, most direct terms the basic rules of grammar and punctuation and how these things combined with our carefully chosen words create style.

In its pithy way, USA Today called Prose's book "A love letter to the pleasures of reading." That's exactly what it is. It is also a love letter to the pleasure of learning to write. Each chapter focuses on a different aspect of writing that makes an author's work unique--words, sentences, paragraphs, narration, character, dialogue, details, gesture. The closing two chapters offer insights into "Learning from Chekhov" and "Reading for Courage." Prose draws on works of great writers and models reading to write. That is, by reading great works carefully, a student of literature who wishes to write develops a personal database of who does what well and learning to turn to specific writers for specific help.

For example, a writer struggling to effectively communicate character through dialogue might turn to authors he knows does that well--or to Chapter 6 in Prose's book. There the writer will find a close reading of passages from Jane Austen's Sense and Sensibility in which she does just that. The writer can take from that reading an example of just how to.

Prose's book unhooks literature from the life-support of the classroom full of sartorial know-it-all professors with their one and only way of reading a work and their critical methods--feminist, Marxist, Freudian, sociological, and on and on--to show that the life-support is totally unnecessary; the patient breathes quite independently, thank you.

To anyone whose parents suggest he or she study something other than English in college the better to secure a good job, I say take that advice. If you love literature and want to read it well, all you really need is Prose's book.

I'm sorry, but this book is incredibly dry. I can't seem to finish it no matter how hard I try. Don't buy it if you have short attention span.