What I Talk About When I Talk About Running

Haruki Murakami offers an extended, albeit concise, meditation on distance running that is both introspective yet absorbing. Unpretentious and not self-absorbed, Murakami draws interesting parallels between the life of a distance runner and that of a writer, in his specific case, a novelist.

He also offers trenchant insights on the aches and pains of distance running, triathlon competitions and the lifestyle issues that confront those who pursue such pastimes. Murakami is not in any way attempting to proselytize and his understated style may win many converts nonetheless.

My sole quibble is his bias against walking in marathons. He wants his tombstone epitaph to read, "At least he never walked." Yet, I firmly believe that there is nothing shameful - either in a race, a training run or a life -- in stopping to walk. The point is not always the completing time, but the fact that one keeps moving forward, even at a walker's gait. Sometimes slowing down to a more measured pace is good.

Walk or run to get a copy of this book to read. If you consider yourself a runner or an endurance athlete - whether it's a journeyman or an elite competitor -- "What I Talk About:" is a genuine treat and may give you more to talk about, and think about!

To say that Haruki Murakami is a fantastic writer is to shed light on the obvious. Unfortunately, only two of Murakami's nonfiction books have been translated into English (Underground and What I Talk About When I Talk About Running), but what's been given to us has showed that Murakami's charms and talents transcend that found in the pages of his novels.

With What I Talk About When I Talk About Running (a great play on a Raymond Carver collection title), Murakami gives us a memoir that incorporates the theme of running into tales of aging, relationships, perception, drive, wisdom, and fear.

To non-runners, we see this theme as a means to an end, but it seems that runners are also taken by the familiar scenes that Murakami enters into the text.

The reason this writer in particular can draw in such a wide degree of readers is simply because he tends to have no overbearing agenda. Simply speaking on the issues and events that have struck him as important on a personal level, Murakami preaches nothing, he simply speaks. And when he speaks what he speaks, people tend to listen.

If you're not a Murakami fan, then this book may be a great introduction. Small in content but just as effective in its goals and performance as several other Murakami writings, What I Talk About When I Talk About Running is quite simply a great read.

You do not have to be a runner to be inspired by this little book. Murakami's memoir details his hard work, perseverance and dedication with regard to a certain craft, long-distance running, and the positive affect it has had on his life and writing. Murakami's lessons can applied in life no matter what your profession or passions may be. For myself, his dedication, hard work, focus, goal-setting and commitment to a quality life are all inspiring. Plus, this a very enjoyable, fun read.

I have not read any of Murakami's novels (this may change soon), but in his short stories he often employs subtle nostalgia for his characters' pasts. Often this nostalgia blurs the line with philosophy, and after reading What I Talk About When I Talk About Running, it became apparent why Murakami enjoys crafting his fiction this way: his style of writing mirrors his perspective on life. After traveling the world, training for and participating in marathons and triathlons, Murakami wants to share his runner's experiences and how they have molded him and his perspective on life. He presents us with a thought-provoking and entertaining narrative (some of it culled from journal entries and old magazines articles he wrote years ago, but most of it original stuff).

The book is 1/3 travelogue, 1/3 self-help, and 1/3 runners guide. We read about the running environments and typical weather patterns where Murakami has trained: New York, Boston, Japan, Greece. We read about the mental discipline and courage it takes to be a long-distance runner. But, most of all, subtly emerging on each page, we read about Murakami the philosopher. His favorite topic is the merciless and stubborn passage of time and its effects on the body and mind. He writes candidly about his thoughts on training as he grows older (Murakami was in his late 50s when he wrote much of the book). He writes about what he thinks about as he runs (ususally nothing); he writes about discipline. To paraphrase one of Murakami's favorite quotes (I forget the source): "...pain is inevitable; suffering is optional."

Murakami tells us that he was neither a natural novelist nor runner. He has had to work hard at both, but both are things which require a steady effort, skills with which Murakami prides himself. As we read along, we learn about Murakami's start as a novelist, his love for baseball, his strong character, and how he applied his strong character to defy his friends and relatives and open a restaurant, become a writer, and eventually, a marathon runner (even once running a 62-mile ultra-marathon). He had opened a restaurant before he became a writer, but one day, after the success of his first novel, he decided to close the restaurant and become a professional writer. It was at this time when he also decided to start running and quit smoking (in that order).

Although the chronology of the book might be a little out of order (the book is not structured chronologically), and this might throw a few more traditional readers, this wasn't a problem. The translation seemed genuine (although I can't read Japanese!), as the translator kept all of the little Murakami-isms one would expect: little phrases such as "...as I mentioned before," or little tangents into the second person. The style remains informal throughout.

Despite its ostensible subject matter (running), this is a book for everyone, because its real subject matter is not about running -- it's about how Murakami gathers meaning from life. Using a master's touch, he shows us how this meaning derives from his simple act of running each day. I, for one, became inspired.

I have placed this book atop my listmania group of literary running books. Haruki Murakami's marvelously entertaining WHAT I TALK ABOUT WHEN I TALK ABOUT RUNNING is about his running, yes, but it also touches on other interesting ideas, including the author's affinities for music, literature, and baseball, Japanese and American:

"As if to lament the defeat of the Boston Red Sox in the playoffs (they lost every game in a Sox vs. Sox series with Chicago), for ten days afterward a cold rain fell on New England. A long autumn rain. Sometimes it rained hard, sometimes softly; sometimes, it would let up for a time like an afterthought, but not once did it clear up."

"From beginning to end the sky was completely covered with the thick gray clouds particular to this region. Like a dawdling person, the rain lingered for a long time, then finally made up its mind to turn into a downpour. Towns from New Hampshire to Massachusetts suffered damage from the rain, and the main highway was cut off in places."

Murakami says he took the title of his book from the title of the Raymond Carver short story collection, WHAT I TALK ABOUT WHEN I TALK ABOUT LOVE, and thanks Carver's widow for giving him permission. Murakami has translated many of Carver's works into Japanese, as well as other American fiction. He says:

"One other project I'm involved in now is translating Scott Fitzgerald's THE GREAT GATSBY, and things are going well. I've finished the first draft and am revising the second. I'm taking my time, going over each line carefully, and as I do so the translation gets smoother and I'm better able to render Fitzgerald's prose into more natural Japanese."

"It's a little strange, perhaps, to make this claim at such a late date, but GATSBY really is an outstanding novel. I never get tired of it, no matter how many times I read it. It's the kind of literature that nourishes you as you read, and every time I do I'm struck by something new, and experience a fresh reaction to it. I find it amazing how such a young writer, only twenty-one at the time, could grasp--so insightfully, so equitably, and so warmly--the realities of life. How was this possible? The more I think about it, and the more I read the novel, the more mysterious it all is."

Music, baseball, literature, and running. My kind of writer. Runners looking for a similar read might want to try Don Kardong's THIRTY PHONE BOOTHS TO BOSTON. Readers new to Murakami who enjoyed this one might be inspired to try one of the author's many novels, and I highly recommend THE WIND-UP BIRD CHRONICLE.