This Is Your Brain on Music: The Science of a Human Obsession

In the first chapter, he made some statements about music that I know to be wrong, so I was tempted to quit, but I thought that perhaps he may still have something interesting to say--I think of the difference between a "satellite view" map and a "street view" map. He has had many interesting things to say, and I am even suspicious that his "errors" at the beginning were an intentional simplification. Even though written for the "layman," it's still pretty heavy reading--and much more focused on the brain's processes than on how music works.
A bit heavy on name-dropping (he started out as a producer), and more "don't know what's happening here" than I hoped for (but I appreciate the honesty). Interesting--but perhaps specialized: it could easily be a different book than you're expecting.

This book was found, as many of my great finds, on the shelves of a used-book store. The book has traveled around in my car with me as I go from school to my job as a voice teacher. It has been loaned out to music professors, and is now very well worn.

I strongly recommend this book for musicians and music lovers alike. It is beautifully written in a way that nearly anyone can understand, with common examples of music from classical to popular music styles.

An excellent introduction into the technical side of how the brain processes music.

The story about Petr Janata and the barn owls is worth the price of the book alone.

Thanks for a great resource Mr. Levitin.

One can't expect a thorough look into the interplay of phychology, mind-body mechanics, and music in a shory popular book. That being said, this was an entertaining romp through the field.

The first seventy or so pages was essentially an introduction to music theory and how the mind can proces music as, well, music. For those with a music background it will be tedious and won't tell you much that you don't already know, but for someone who has only touched on it it will be like drinking from a firehose with all the information in the pages.

The rest of the book deals more directly with why certain music is liked, how it most likely evolfved, and the practical utility of music in society and individual survival. If you're ever wondering why there are still oldies stations around, it's because of all the boomers who have an emotional attachment to music of their youth, the time when music tastes are most aggressively defined.

One annoyance was the infantile critique of mind-body interplay, where he ascribes to the opinion of Dennitt that the brain creates the mind. There's not enough room in the review to state why that is incorrect, but it shouldn't have even delved on this weighty topic. Overall though, there wasn't much blanket overgeneralization that plagues many popular science books, though the meanderings of the authors was at times tiring.

Overall, pretty good, and a quick read for someone interested in the topic.

I, too, found the endless name-dropping endlessly irritating. As to the rest - I leave it to the more knowledgeable among us. However, I do recommend reading ALL the reviews before reading the book.