In Cold Blood

It just does not get any better than this. A simply amazing book. Every single word is beautiful. The prose is flawless, the imagery is so evocative - the sleepy southern town, two criminals on the road, tight knit family - you absolutely live it. It truely puts you in the mind of a killer, and it is an uncomfortable feeling, by the end, I couldn't help feeling sorry for them. This is an absolutely sublime read. I think everyone must read it.

I ordered it for my 21 yr. old son and he really enjoyed it. Learned alot aobut the times.

The violent murders of Herbert and Bonnie Clutter and their two youngest children: Nancy and Kenyon in 1959 became a media sensation as these violent crimes are wont to do. Inspired by a 300 word summary of the crime in the New York Times, Capote and long time friend Harper Lee headed west to interview everyone associated with the crime. The result of six year's work was In Cold Blood.

Reading the book clarified in my mind just how well I still remember the film and confirmed that I still am not a fan of true-crime (or the nonfiction novel as Capote called his book). The work is well researched and well written but it wasn't a page-turner for me.

The book suffers from an information overload and a lack of organization. Capote seems lost under all these witness testimonies, not sure what to keep, what to cut and where to put things. Things stumble along in a more or less chronological order but without the benefit of logical segues between interviews.

It is a testament to Truman Capote's ability that he was able to take a small yet disturbing blurb in the New York Times and not only write a compelling book about it, but create a new literary form, the nonfiction novel, and also turn the story into an American classic. IN COLD BLOOD fully deserves the accolades that have been heaped upon it since its publication.

That newspaper blurb, of course, was about the mysterious murders of the Clutter family (father Herbert, mother Bonnie, and teenagers Nancy and Kenyon) in the small, isolated town of Holcomb, Kansas. At first, it was unclear why the family had been slaughtered and it was thought to be the work of a psychopathic killer. That such psychopathy flared up in America's heartland made the story all the more disturbing. After all, everyone knows all the weirdos and lunatics were supposed to live in New York or San Francisco. To think that they were right in our midst...

Capote's detailed (and controversial!) studies of the murders take us so deep into the story it is like we were really there. Using the techniques of fiction and applying them to a non-fiction story, Capote brings the real life tragedy to life a second time around. This is particularly disturbing with respect to the two men who committed the crime, Dick Hickock and Perry Smith. IN COLD BLOOD probably is the first book of its kind to give the readers such an accurate portrait into the minds and personalities of such brutal killers.

What strikes the reader hard is that, of the two criminals, it is the actual trigger man, Perry Smith, who is the more tender and emotionally vulnerable. That Dick Hickock seems, by every measure imaginable, to be a harsher person than his compatriot is juxtaposed powerfully with Hickock's own complaints that he is the only person on death row who did not actually kill anyone. We now know, of course, that Capote developed some type of emotional relationship with Perry Smith while researching the book and so it is up to the reader to determine how much this might have clouded Capote's judgment and writings on him.

Despite the bleakness of the story, IN COLD BLOOD is written in a very feminine and flowery style. If Capote's homosexuality were not widely known, one could almost assume as much by this. Again, this creates a jarring juxtaposition for the reader, as he is confronted with the darkest corners of depravity.

Anyone who visits the true crime section of a bookstore is confronted with books basically reeking of schlock. A good writer, however, can turn the average, or even below average, subject and elevate it to new heights. This is what Truman Capote did. IN COLD BLOOD is very cold, indeed.

This was a wonderful book, but I made the mistake of seeing the movie and then I had a biased. I enjoyed this.