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Waiting for Godot: A Tragicomedy in Two Acts

Waiting for Godot: A Tragicomedy in Two Acts

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Dumbest "classic" in 20th century literature
I first read this work as part of my Humanities class in high school. I reread again after college to see if several years of "higher education" would make my mind more receptive so great works of literature. Both times, I thoroughly hated this play and consider one of the dumbest pieces of literature commonly taught in schools. The plot is overly simple; two hobos (probably European) await someone (probably male) named Godot. Several others pass them by during their wait. Godot never comes, and the play ends right where it began. No introduction and no conclusion. However, there are supposed to be many meanings that can be had in this story. A common one is that Godot is God, and the hobos represent humans. This reviewer's opinion is that the plot is so simple, that one could draw whatever conclusions or meanings they wanted out of it. All in all, I did not gain anything from this work. Fortunately, it is short enough to get through quickly.
2007-06-08
A classic, but best for those who dig absurdism
Fifty years after its premiere, Samuel Beckett's play WAITING FOR GODOT has achieved classic status, yet it is a play more talked about than read or performed. Many people could tell the vague plot of two hobos waiting on a roadside for a man who never comes, a metaphor for the "waiting for God" that forms the duration of human existence, but much of the play remains unknown. Reading the play shows a different side of the play than popular imagination, though it will not be a rewarding activity for all.

The stage is simple. "A country road. A Tree". So is the casting. The repartee of hobos Vladimir and Estragon forms the bulk of the play's dialogue. Two other men, Pozzo and Lucky, twice stop by. Finally a Boy appears as a messenger from the mysterious Godot. Pozzo and Lucky are left out of most popular references to the play, but they form a vital part of its action. When we first meet Pozzo, he is a rich man, smoking a pipe, feasting on a whole chicken... and leading his servant Lucky around with a rope and barking orders at him. The choreographical duties imposed on Lucky are a tour de force of stage writing.

While drama is written to be performed, the text of WAITING FOR GODOT allows one to pick up on various subtleties missing from performance. One is amusing stage directions. When Vladimir says "I don't understand" and Estragon replies, "Use your intelligence, can't you?", there follows the direction "Vladimir uses his intelligence." In the theatre, many of the play's most profound comments come too quickly to be properly reflected upon and digested by the audience, but reading the play lets one proceed through Beckett's musings at one's own pace. Finally, reading the play lets one spot oddities about Beckett's own translation of the play from the original French, many slightly peculiar turns of phrase in English.

While the play's meagre plot of waiting for a God who never reveals himself is often seen as existentialist, reading the play reveals instead an absurdist perspective. Unlike those writers who felt that the absence of God forces Man to determine his purpose on his own, Beckett sees little possibility of purpose. Because of the lack of hope and the frustrations that fill the dialogue, WAITING FOR GODOT can be depressing and inexplicable to many. One's enjoyment from reading the play is dependent essentially on how comfortable one is with absurdism. Nonetheless, I'd recommend at least trying.
2007-02-05
Sleepy little classic
This classic of the absurd tragicomedy must be given its due respect though I have to admit, I found it a bit of a sleep-inducer. The story follows a conversation about a character wasting his time awaiting the arrival of his friend. The friend, it seems, is never going to arrive and so the plot is really a roller-coaster ride of emotions from excited anticipation to boredom to utter hopelessness and dispair. But, sadly, its an anti-climactic end with nothing - which is, in essence, the message of the play. Read it for it's historical and social significance but do not expect more than what it can give. Risking negative votes on my review I have to add, at least it is short and Beckett does not make the mistake of attempting to belabor a very tired point.
2006-12-17
Powerfully Absurd
This play is completely absurd and that is the powerful point that the writer is trying to make about existence and all that comes with it.

highly recommended for those who are interested in Philosophy, theater and the non traditional.
2006-12-04
Leave Room In Your Life For The Absurd
Most of the reviews that I have written for Amazon are based on the books, the DVDs, and the CDs that I already own. I occasionally buy a new product via Amazon, but I mostly review the stuff that I already own.

I own this book...this play because I read it while in a Humanities course in college. I went to college rather "late" in life...whatever that means...and yet I derived more from the experience than I probably would have had I gone right after High School. I am one of those people who believe that it's not college that makes a "well-rounded" indivividual, but life experience. If colleges and universities handed out degrees based on Life Experience, I'd probably have a doctorate three times over...

We were given the assignment of reading this play and seeing the live production that the college I was attending just so happened to be putting on. With my primary focus being on philosphy, I embraced the Existentialism Unit that we were now focused upon. My best friend, who was/is an "atheist" was less receptive of these Existentialist ideas he considered strange and elusive. You think he, being an atheist, would have been more open to them than I who had already been bitten by the Metaphysics/Spirituality plague. Truth be told I think the only reason he says he's an atheist is because he's a cheapskate and doesn't want to shell out extra money for Christmas gifts.

So we go see this play and people were getting pretty agitated. In this play everything goes round and round but never arrives at any final conclusions and I noticed how we, as a society, love our answers. We are not soothed by questions and proposistions and "what if?" scenarios. We feel the need to latch onto something because something is better than nothing.

Isn't it?

The Existentialists believe that the universe is random, chaotic, and ultimately meaningless and so in a sense they "give" meaning to meaninglessness. Just like an atheist believes in non-belief. You see, the human species cannot not give meaning to his/her life...we cannot not believe...we can "pretend" that life is without meaning and that we don't believe but everything that falls onto the screen of our perception, will take on the shape of our perceptions.

I loved this play. I loved the merry-go-round type dialouge. Isn't this what we all do? We get a belief so engrained in our heads and we think that it is the only way to believe and so we spend a lot of time trying to convince someone who may not be as receptive to our point of view as to why it's valid. What I have learned over the years is that the only reason why a belief is valid is because we are the ones who validate it. It doesn't make us "more right" than the person who doesn't believe it, it just makes us believers of the belief. And contrary to popular opinion, the more people you have who also believe the same way you believe does not prove that it's any more valid than if only one person believed it.

This play did not dissolve me into a puddle of desperation and futileness, in fact it added more meaning to my life which would probably make Samuel Beckett gag. It made me fall in love even more with this crazy life that only I can live. Nobody lives by proxy. Each of us are liberated and imprisoned by our beliefs. The best we can ever hope to be is determined by what we are willing to believe at any given time. This is why it's a good practice to sit down and journal about your beliefs from time to time and question why you still believe what you believe. You may have outgrown certain beliefs, certain ideas, certain ways of being in the world but don't be like the two "bums" in the play, don't keep postponing what it is that you eventually desire to see; see it now, live it now, be it now. If you are going to be an atheist, be the best atheist you can be. If you are going to be a Christian, be the best Christian you can be. If you are going to be an Anarchist, be the best Anarchist you can be. Just don't think that everyone is going to believe exactly as you believe and don't make others wrong simply because they may have another point of view. In the end, none of us truly know what's on the other side. Yes, we've had people with Near Death Experiences, but nobody has ever come back after being completely dead with a report, we just have reports from people who have been "mostly dead".

Take life with a grain of salt and enjoy the ride.

Peace & Blessings.



2006-10-25
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